Seven years of color grading before it became a service. What started as an obsession with matching film stocks in a bedroom turned into a full color suite built for commercial delivery.
We grade in DaVinci Resolve Studio on calibrated monitoring. Every project gets a custom look — not a LUT dropped on the timeline and called done.
Your footage deserves better than a preset.
Suite
DaVinci Resolve Studio, calibrated reference monitoring
Workflow
ACES scene-referred or Rec.709 display-referred — your call
Specialties
Film emulation, lens emulation, multi-camera matching
Turnaround
Custom look development; revisions until signed off
What we do
Accurate recreation of analog film stocks. Not Instagram filters — mathematically modeled emulsions.
Halation, chromatic aberration, and optical characteristics of vintage glass applied in post.
The softness and glow of physical diffusion filters, applied with precision in post.
Shot-to-shot consistency across mixed lighting, mixed cameras, and long shoot days.
Matching footage from different cameras — RED, Sony, Blackmagic, iPhone — into a unified look.
Scene-referred color pipeline for VFX-heavy projects. Proper handoff to compositors.
Real-time grading on set. Monitor the final look while shooting. Live film emulation during production.